ny71-02-27_info.txt

02-27-1971, Royal Festival Hall, London, England 
Neil Young - vocals, guitar, banjo, keyboards, harmonica
1971 Journey Through The Past Solo Tour 

Source: SBD>???>bootleg 'London 71'>CD-Rs>EAC>SHN

 1. On The Way Home 
 2. Tell Me Why 
 3. Old Man 
 4. Journey Through The Past 
 5. Cowgirl In The Sand 
 6. The Bridge 
 7. The Loner 
 8. Don't Let It Bring You Down 
 9. See The Sky About To Rain 
10. Out On The Weekend 
11. I Am A Child 
12. Ohio 
13. Love In Mind 
14. Only Love Can Break Your Heart 
15. Heart Of Gold 
16. A Man Needs A Maid 
17. Harvest 
18. The Needle And The Damage Done 
19. Nowadays Clancy Can't Even Sing 
20. Dance, Dance, Dance 
(missing: 21. Expecting To Fly) 

Setlist from Sugar Mountain: http://www.cruzio.com/~tah/sugarmtn.html

Review from the Old Grey Cat: http://www.geocities.com/%7Eoldgreycat/csny/neillondon.htm

It says something about his confidence in himself that at this February 27th, 1971 solo
 concert Neil included 11 new songs among a 20-song set. Or is that 21-song set? According 
to Johnny Rogan's book The Visual Documentary, "Flying on the Ground Is Wrong" was also 
performed that night but, alas, it's not included here. 

What is here, however, is pure genius. Presenting himself in the singer-songwriter mode then 
in vogue, Neil shapes a delicate and incisive set for an appreciative--and quiet--audience. 
Compare this set to, say, later solo Neil, and what comes across most is the slow dissolve of 
innocence and the dwelling on the down and dour; but, of course, that "dissolve" is the 
domain (primarily) of the young, and here it's captured by one of the best equipped 
chroniclers of such stuff in the arts today. It doesn't matter, really, how rich or poor you 
are, whether you're a rock star or a kid just out for a good time--eventually, life catches 
up to you. 

Typical for a Neil show, highlights abound: "Journey Through the Past" and a drop-dead, 
beautiful "Love in Mind" are two such moments. Quite a few songs that eventually surfaced on 
Harvest are also presented minus that album's MOR-ish sheen. Shorn of embellishments, 
"Old Man," "Out on the Weekend," "Heart of Gold," "A Man Needs a Maid," "Harvest" and 
"The Needle & the Damage Done" come across as what they, in truth, are: songs from a young 
man's soul. 

The sound quality is stellar throughout, with a minimum of hiss and audience noise. Even the 
most novice fan would/should enjoy it. (A)

seeded by mrz